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Snehta presentation - Nana Sachini

Admission: Free
Opening: 19.12.2018, 18:30
19.12.2018-19.12.2018
Add to calendar 2018:12:19 18:30:00 2018:12:19 23:45:00 Europe/Athens Snehta presentation - Nana Sachini Snehta presentation - Nana Sachini - More informations on /events/event/1916-snehta-presentation-nana-sachini Snehta Residency

With the occasion of SCULPTURE SCHOOL that is taking place at Snehta in January, visual artist Nana Sachini will present her work and the technical approach behind it. 

Duration 35-45' minutes

SCULPTURE SCHOOL offers professional mentoring and technical knowledge to emerging artists who want to excel in
sculptural practice.
The programme has emerged due to an overall need for artists to develop a unique and technically oriented practice well connected and in dialogue with the emerging art scene
and the city in which they live. 

More info:
https://www.snehtaresidency.org/education

Short Bio Nana Sachini
Nana Sachini holds a Master and a PostGraduate Diploma in Fine Art from Chelsea
College of Art and Design, London, UK and BA Hons from School of Fine Arts in Thessaloniki, GR.
In her work she embraces various media: sculpture, installation, drawing, photography and performance.
Her work was shown in exhibitions and projects in Greece, U.K., Germany, U.S.A., Lebanon and Cyprus., such as: “Hypnos Project”, Onassis Cultural Centre, Athens,GR(2016),"The body and other short stories" - the Performance in the Collection of
State Museum of Contemporary Art, CACT, GR(2015), “Reverb: New Art from Greece, SMFA, U.S.A.(2014), Thessaloniki Biennale4 of Contemporary Art-State Museum of Contemporary Art, GR(2013), Kunsthalle Athena, GR(2012) etc.
Nana had solo shows at a.antonopoulou.art gallery and Remap4, Athens, GR 
Her work can be found in : DD Collection-D.Daskalopoulos, State Museum of Contemporary Art, F.Kyriakopoulou etc.
She is founding member of KangarooCourt, a live-art group and has collaborated with other artists, theatre directors (Nova Melancholia/ Onassis Cultural Foundation) and
curators.

With the support of Outset Contemporary Art Fund (Greece)