Maryam Tafakory works with film and performance, creating textual and filmic collages that stitch together poetry, documentary, and archival material. Tafakory's work is situated among multiple overlapping formal lineages: the essay film and cinephile documentary. Exploring the different registers through which images speak or refuse to speak to us, her films attempt to dissect veiled acts of erasure – of bodies, intimacies, and histories. Her research-based projects consider what is often neglected and discarded as trivial and excessive. She has an ongoing body of video essays in dialogue with post-revolution Iranian cinema. 

Her most recent film, Mast-del (2023), premiered at Cannes Directors' Fortnight and was among Film Comment's Best Short Films of 2023 and Sight & Sound's Best Films of 2023. Her first UK solo exhibition was one of Artforum's Critics' Picks of 2023. A love song that would never pass through the censors, Mast-del is about forbidden bodies and desires, both inside and outside post-revolution Iranian cinema. It is presented here together with two previous films, Irani Bag (2020) and Nazarbazi (2022), in which again Tafakory uses excerpts of films produced in the period of post-revolution Iranian cinema in the 90s, creating video essays questioning the censorship of women's bodies that have been erased and victimised as well the prohibited love and desire between men and women.